Yiyun Li

My writing groups have been reading the work of the Chinese-American writer Yiyun Li since last fall — her two novels, The Vagrants and Kinder Than Solitude, and her short-story collections, A Thousand Years of Good Prayers and Gold Boy Emerald Girl.

Yiyun Li

Yiyun Li

Last Saturday, we got to spend a good part of the day with Li, listening to her talk about her work. Fred Shafer teaches these amazing classes, and this is the third writer I have studied with these groups — the others were Kate Walbert and Colm Toibin. I have learned so much from reading all of them, and it has been a real joy to hear them talk about writing.

Li recently won the Sunday Times of London EFG Short Story Award for “A Sheltered Woman,” which first appeared in The New Yorker. The prize is £30,000, the world’s richest for a single short story. Li was named a MacArthur Fellow in 2010. Here is a passage from her story “The Princess of Nebraska”:

 He looked up at her, and she saw a strange light in his eyes. They reminded her of a wounded sparrow she had once kept during a cold Mongolian winter. Sparrows were an obstinate species that would never eat and drink once they were caged, her mother told her. Sasha did not believe it. She locked up the bird for days, and it kept bumping into the cage until its head started to go bald. Still she refused to release it, mesmerized by its eyes, wild but helplessly tender, too. She nudged the little bowl of soaked millet closer to the sparrow, but the bird was blind to her hospitality. Cheap birds, a neighbor told her; only cheap birds would be so stubborn. Have a canary, the neighbor said, and she would be singing for you every morning by now.

Photo Courtesy of the John D. and Catherine T. MacArthur Foundation and Wikimedia Commons

Alice Munro’s stories ring the bell

It’s pretty terrific that the Canadian short-story writer Alice Munro has won the Nobel Prize in Literature, because she is a wonderful writer. The Nobel committee called her “master of the contemporary short story,” and a number of well-regarded writers responded to the news with glee.

Alice MunroIn The New Yorker, James Wood called the choice “deliriously incredible.” Wood wrote, “…Many of Munro’s readers had sadly concluded that she was not, somehow, the kind of writer that the Nobel committee seemed to like…. We were wrong, and for once it was wonderful to be wrong.”

Margaret Atwood, who might reasonably have hoped she would be the Canadian woman who would win the world’s most prestigious literary award, wrote a true and generous appreciation of Munro’s work in The Guardian.

“The road to the Nobel wasn’t an easy one for Munro,” Atwood wrote:

“Munro found herself referred to as ‘some housewife,’ and was told that her subject matter, being too ‘domestic,’ was boring. A male writer told her she wrote good stories, but he wouldn’t want to sleep with her. ‘Nobody invited him,’ said Munro tartly.”

The 82-year-old writer recently announced that she will retire, that her recent collection, Dear Life, will be her last. Here is a link to “Amundsen,” a story from that collection from The New Yorker, where many of Munro’s stories have run. If this is your first taste of Munro’s work, you are in for a treat.