Your Inner Fish

A growing drumbeat in science these days involves the importance of communication: How can the people who do the work that is changing our world, and our understanding of it, get their message out to the public?

Your Inner FishNeil Shubin, a University of Chicago paleontologist and anatomist, is an excellent role model in this regard. Shubin was part of the team that in 2006 discovered Tiktaalik roseae, a so-called “fishapod” that might have been one of the first vertebrates to crawl out of the water onto dry land. He wrote a best-selling 2008 book, Your Inner Fish, about what Tiktaalik can tell us about evolution.

Now, Shubin has transformed the message of that book into a three-part series that begins airing on PBS  at 9 p.m. CDT on April 9. Not only that, but he appeared on Thursday at a Science on the Screen event at the Reva and David Logan Center for the Arts on the U. of C. campus in Hyde Park to talk about Your Inner Fish. Science on the Screen is an occasional series the U. of C. sponsors that showcases its world-class scientists talking about feature and documentary films that deal with various aspects of science.

Shubin’s story is pretty thrilling. He and his colleagues spent four summers over six years searching in an exposed layer of rock in the Arctic that dates from the Devonian period, searching for fossils that could show how fish managed to adapt body parts that allowed them to walk out onto land. The researchers could only work during the few snow-free months of the summer, and they had to carry guns, because polar bears were a very real threat. Shubin told the Science on the Screen audience that his group found polar bear tracks in their camp when they got up in the morning.

A sizable chunk of the audience on Thursday was composed of children — I brought my younger daughter, a high school student. One of the fascinating bits we heard in Your Inner Fish is that Tiktaalik shared the basic limb structure (coming down from the shoulder, say) of “big bone, two bones, lots of little bones, digits” that various land vertebrates have diversified into wings, legs that end in paws and, in the case of primates, arms that end in hands.

The Pew Research Center recently found that about one-third of Americans reject the truth of evolution, often on religious grounds: The Bible says God created the earth in six days. Or, they buy the argument that evolution is just a theory about how the world began, of equal weight with creationism, say. One of the children in the audience asked Shubin how he feels about that. He said that what he likes about Your Inner Fish is that it presents evidence for evolution, and that evidence has the power to convince open-minded people of scientific truth.

Not every scientist has Shubin’s charisma — he is a lot of fun to watch in Your Inner Fish — but as I said above, he’s a great role model. The two other segments in the series are Your Inner Reptile and Your Inner Monkey, scheduled to air on April 16 and April 23. The series is part of Think Wednesday, a three-hour block of programming on nature, science and technology PBS began in January.

Alexandria Quartet villa may come down

Practically everything I know about Alexandria, Egypt, I learned from Lawrence Durrell’s Alexandria Quartet, so I am sad to see that the house that inspired the books is in bad shape, and may be coming down.

The Alexandria QuartetThe Guardian is reporting that the neglected Villa Ambron may be torn down to make way for a condo development. Durrell, a British writer who mostly lived in Asia and the Near East, lived in the villa in the mid-1940s with his girlfriend, later his second wife, Eve Cohen. Durell wrote Prospero’s Cell in a tower writing room in the villa, and  took notes for Justine, the first book of the quartet. The character of Justine was based on Cohen, and Durrell reportedly took many details for the quartet from his time at Villa Ambron. The other books were  Balthazar, Mount Olive and Clea. The Alexandria Quartet is Durrell’s best-known work.

The present owner of Villa Ambron has apparently intended to develop the property for years, but has been foiled repeatedly by preservationists and Durrell’s fans. It’s an unstable time in Egypt, though, and many of the old villas from Alexandria’s cosmopolitan past, which are supposed to be protected, are toppling.

I was taking night classes in Modern Greek at the University of Chicago when I read The Alexandria Quartet. At the time, I was interested in everything about that part of the world. I recall the books being lush and romantic, but ultimately preposterous, to me, anyway. I remember telling a friend the characters would have a lot fewer problems if they all just got jobs. (That says more about me than about the story, I know.)

Still, I wrote this passage from Justine down in a little notebook I kept at the time. I guess it’s set in Villa Ambron:

That was the first time I saw the great house of Nessim with its statues and palm loggias, its Courbets and Bonnards — and so on. It was both beautiful and horrible. Justine hurried up the great staircase, pausing only to transfer her olive-pit from the pocket of her coat to a Chinese vase, calling all the time to Nessim. We went from room to room, fracturing the silences. He answered at last from the great studio on the roof and racing to him like a gun-dog she metaphorically dropped me at his feet and stood back, wagging her tail. She had achieved me.

I still know some Greek, by the way. It’s a great language for a writer. I don’t have a Greek keyboard, so I’ll have to go with something I can paste in here. How about Καλή χρονιά! Happy New Year!

The Finkbeiner test

Longtime science writer Ann Finkbeiner wrote a terrific piece this year swearing off writing patronizing articles about female scientists, and it has been boiled down into what is being called “the Finkbeiner test.”

Finkbeiner advanced her manifesto in January in an article titled “What I’m Not Going to Do” on the blog The Last Word on Nothing*.

In March, Christie Aschwanden distilled Finkbeiner’s piece into a seven-point checklist on DoubleXScience, an online science magazine for women:

“To pass the Finkbeiner test, the story cannot mention

  • The fact that she’s a woman
  • Her husband’s job
  • Her child care arrangements
  • How she nurtures her underlings
  • How she was taken aback by the competitiveness in her field
  • How she’s such a role model for other women
  • How she’s the ‘first woman to…’

“Here’s another trick,” Aschwanden writes. “Take the things that are said about a female subject and flip them around as if they were said about a male. If they sound ridiculous, then chances are good they have no business in the story.”

I think it’s all about context. If you’re writing a breezy lifestyle story (or maybe even an obituary), the personal stuff is OK. But if you are writing essentially about your subject’s work, the Finkbeiner test should be pressed into service.

*“Science says the first word on everything, and the last word on nothing” – Victor Hugo